In order to get around this, the team at Moon decided to make the environments more complex. Each of those mushrooms actually animates separately from the creature when the toad moves muscles in its face to talk, the fungi shift and sway in a way that looks natural.īut the new characters also created an issue: dropping 3D models in a 2D world can look strange. Early on in the game, for instance, you meet a giant toad in a swamp, and it’s covered with mushrooms. Artists were even able to add secondary animations to characters for a greater degree of depth. This allowed the designers to create a greater array of movement in the animations, which was important with the newfound focus on fast-paced combat. One of the big shifts was that, despite still being a 2D game, the character models are actually 3D this time around. “When we started we had this wishlist,” he explains. Gritton says that the team had a solid base to build from with the original Blind Forest, but there were some changes they wanted to make for the sequel. And that’s due in large part to new technology. It still has that same hand-painted look, but with a greater level of depth, detail, and movement. But arguably the biggest change is how the game looks. There’s a greater focus on action in the sequel, as well as some other changes like new side quests and a revamped save system. You still play as a swift spirit named Ori, traversing a dangerous fantasy world in an experience that’s part 2D platformer, part Metroid-style action-adventure game.
Games like ori and the will of the wisps Pc#
Ori and the Will of the Wisps, which is out on Xbox One and PC today, is similar to the original game in most respects. You’ve achieved something: how can you better it?” “As artists you always want to keep going. We felt that was a shame,” explains studio co-founder Gennadiy Korol. “I think that 2D games these days are a dying breed there aren’t a lot of companies that really push production values for 2D games. It was exciting but also daunting: how do you create a follow-up to one of the best-looking games ever made?įor the team at Moon, the desire to create a sequel wasn’t just about expanding Ori’s fantastical world and telling a new story.
Eventually, he was given the chance to contribute to that world when he joined Ori developer Moon Studios as art director on the game’s sequel. Its lush, 2D world looked like “a painting that had come to life,” he says. When Ori and the Blind Forest came out back in 2015, Jeremy Gritton couldn’t help but be impressed.Īt the time he was a cinematic artist at Blizzard, working on blockbusters like StarCraft and Diablo, and he was struck by the Xbox One game’s art style in particular.
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